This British drama is the hilarious and heart-warming story of an American widow who finds unexpected love with a man living off-grid on Hampstead Heath when they take on the land developers who want to destroy his home.

This is an examination of "The Night of the Hunter," Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon.

A selection of Shakespeare's work focusing on the theme of love. From the passion of the sonnets, the poignant balcony scene in Romeo and Juliet to the bewitched love scene between Titania and Bottom in A Midsummer Night's Dream, this anthology cuts across age and class, taboo and prohibition.

Great writers, artists, musicians and thinkers in British life say what Europe means to them: an outpouring of love and sadness. With pieces from Frank Cottrell Boyce, Melvyn Bragg, Margaret Drabble, Alan Hollinghurst, Will Hutton, Holly Johnson, Penelope Lively, Jonathan Meades, Deborah Moggach, Alan Moore, Jackie Morris, Cathy Rentzenbrink, Chris Riddle, Tony Robinson, Pete Townshend, Kate Williams, Michael Wood and many more... As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. Contributing essays that contain some of their finest writings and perspectives very different to the ones given in news outlets. The creative community here has its say on Brexit. Novelists, artists, comedians, historians, biographers, nature writers, film writers, travel writers, people young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling. There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, many hopeful. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate. They show how Europe has helped us to expand our emotional, intellectual and artistic bandwidth, and hopefully will continue to do just that. Contributors include: Mary Beard, Jeffrey Boakye, Melvyn Bragg, Simon Callow, B. Catling, Shami Chakrabarti, Chris Cleave, Frank Cottrell Boyce, William Dalrymple, Lindsey Davis, Margaret Drabble, Tracey Emin, Michel Faber, Sebastian Faulks, Neil Gaiman, Evelyn Glennie, Alan Hollinghurst, Will Hutton, Holly Johnson, Ruth Jones, A.L. Kennedy, Hermione Lee, Prue Leith, Roger Lewis, Penelope Lively, Richard Mabey, Jonathan Meades, Andrew Miller, Deborah Moggach, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Irenosen Okojie, Onjali Q. Rauf, Chris Riddell, Tony Robinson, J.K. Rowling, Rhik Samadder, Isy Suttie, Sandi Toksvig, Pete Townshend, Kate Williams and Michael Wood.

The perfect introduction to the Master. Over a century after his death, Richard Wagner's music dramas stand at the centre of the culture of classical music. He was a walking contradiction: aggressive, flirtatious, disciplined, capricious, heroic, visionary and poisonously anti-Semitic. His ten great mature masterpieces constitute an unmatched body of work, created against a backdrop of poverty, revolution, violent controversy, critical contempt and hysterical hero-worship. In this book, Simon Callow plunges the reader headlong into Wagner's world, examining the intellectual and artistic climate of this composer like no other who ever lived, creator of perhaps the most sublime and most troubling body of work in the history of music.

Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage.

This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions.

Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.

Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage.

This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions.

Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.

An alternative autobiography of the well-loved actor and man of the theatre, winner of the Sheridan Morley Prize for Theatre Biography. In My Life in Pieces Simon Callow retraces his life through the multifarious performers, writers, productions and events which have left their indelible mark on him. The story begins with Peter Pan - his first ever visit to the theatre - before transporting us to southern Africa and South London, where Callow spent much of his childhood. Later, he charms his way into a job at the National Theatre box office courtesy of his hero, Laurence Olivier - and thus consummated a lifetime's love affair with theatre. Alongside Olivier, we encounter Paul Scofield, Michael Gambon, Alan Bennett and Richard Eyre, all of whom Callow has worked with, as well as John Gielgud, Ralph Richardson and Alec Guinness, David Hare, Simon Gray and many more. He writes too about figures he did not meet but who greatly influenced his life and work, figures such as Stanislavsky, Nureyev and Cocteau, as well as Charles Laughton and Orson Welles. And he even makes room for not-quite- legit performers like Tony Hancock, Tommy Cooper, Frankie Howard - and Mrs Shufflewick. The result is a passionate, instructive and beguiling book which, in tracing Simon Callow's own 'sentimental education', leaves us enriched by his generosity and wisdom. 'first rate... the best writer-actor we have' David Hare 'Simon Callow combines zest, originality and passion and has elegantly turned his views and life in the theatre into an astonishing memoir' Richard Eyre

The Tempest is Shakespeare's masterpiece of magical effects, redemptive romance, poetry and politics.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features illustrations by renowned artist Sir John Gilbert and an introduction by actor, writer and director Simon Callow.

Prospero has long been exiled from Italy and banished to a remote island with his daughter Miranda. He uses his magical powers to conjure up a fearsome storm, and his enemies, including his treacherous broth Antonio, are shipwrecked. There follows a play filled with murderous plots, drunken confusion, love and redemption. And along the way, the reader discovers an unmistakable message that this is Shakespeare’s own farewell to the stage.

All 13 episodes from the first series of the relaunched sci-fi adventure drama, written by Russell T. Davies and starring Christopher Eccleston as the legendary Time Lord. In this series, the Doctor meets new companion Rose Tyler (Billie Piper) while saving her from the living-plastic Nestene Consciousness, before taking her on adventures through time and space, where she meets Charles Dickens (Simon Callow), tries to save her father from dying when she was a child, and helps the Doctor and Captain Jack Harkness (John Barrowman) battle the evil Daleks and save the world. The episodes are: 'Rose', 'The End of the World', 'The Unquiet Dead', 'Aliens of London', 'World War Three', 'Dalek', 'The Long Game', 'Father's Day', 'The Empty Child', 'The Doctor Dances', 'Boom Town', 'Bad Wolf' and 'The Parting of the Ways'.

From government ministers and spies to activists, drag queens and celebrities, Odd men out charts the tumultuous history of gay men in 1950s and 60s Britain. It takes us from the earliest tentative steps towards decriminalisation to the liberation movement of the early 1970s. Along the way, it catalogues shocking repression, including laws against homosexual activity and the use of brutal medical 'treatments'. Odd men out draws on medical data and opinion polls, broadcast recordings, theatrical productions, and extensive interviews with key players, as well as an in-depth analysis of the Wolfenden Report and the circumstances surrounding its creation. It brings to life pivotal moments in gay mens' cultural representation, ranging across the West End and emerging writers like Joe Orton, the British film industry, the BBC, national newspapers, fashion catalogues and music magazines. Celebrating the joy of gay lives as well as the hardships, Odd men out preserves the voices of a disappearing generation who revolutionised what it meant to be a gay man in twentieth-century Britain. -- .

New cover re-issue In the 1960s, Freddie's was the usual name for the Temple Stage School, which supplied the West End theatres with children for roles in everything from Shakespeare to pantomime. Freddie, the proprietress, is a formidable woman, of unknown age and provenance. But everybody who is anybody claims to know her. By sheer force of character and single-minded thrust she has turned herself into a national institution. This story of what happened at Freddie's is not only for theatre-lovers, but for people who care about children or hate them, or were -- once upon a time -- children themselves. In particular, it is for those of us who sometimes pretend to be what we are not -- that is to say, act a little.

The National Portrait Gallery's collections hold numerous portraits of creative partnerships. This book looks at the extensive collection of the Gallery and explores the role of love and the people featured both as sitters and artists. Drawing on recent scholarship, the exhibition will explore changing ideas of love, and give readers the opportunity to discover love stories both tragic and transcendent. The stories cover a variety of topicsincluding: the role of the muse,featuring stories such as George Romney, Lady Emma Hamilton and Nelson,and the Bloomsbury group; scandal and tragedy, exploringthe relationshipsof Oscar Wilde and Lord Alfred Douglas, Edward VIII and Wallis Simpson,and John Lennon and Yoko Ono; literary love,highlightingthe talesof Mary and Percy Shelley,and Sylvia Plath and Ted Hughes; a shared studio, featuring the stories of artists Lee Miller and Man Ray,and Barbara Hepworth and Ben Nicholson;and love and the lens,which exploresthe stories of Laurence Olivier and Vivien Leigh,and Mick and Bianca Jagger. Love Stories will be brought to life through the perspective of various authors, using material from the sitter's own letters, diaries and poetry, while highlighting their connection and influence on some of the greatest masterpieces of art.

In One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century, looking closely at the triumphs and failures of an ambitious one-man assault on one medium after another - theatre, radio, film, television, even, at one point, ballet - in each of which his radical and original approach opened up new directions and hitherto unglimpsed possibilities. The book begins with Welles' self-exile from America, and his realisation that he could only function happily as an independent film-maker, a one-man band; by 1964, he had filmed Othello, which took three years to complete, Mr Arkadin, the biggest conundrum in his output, and his masterpiece Chimes at Midnight, as well as Touch of Evil, his sole return to Hollywood and, like all too many of his films, wrested from his grasp and re-edited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, including Moby-Dick, considered by theatre historians to be one of the seminal productions of the century. Meanwhile, his private life was as dramatic as his professional life. The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him, in which lies the answer to the old riddle: whatever happened to Orson Welles?

The creator of the Hunchback of Notre Dame, Henry VIII and Captain Bligh, Charles Laughton's career spans 50 films and 40 stage roles. This entralling biography follows him from his parents' hotel in Scarborough to his climactic assumption of the role of King Lear in Statford at the end of his life. Along the way we meet a galaxy of Hollywood greats - from Korda, Hitchcock and Billy WIlder to Gregory Peck, Robert Mitchum and Marilyn Monroe. We also discover a hugely talented and complex man - a legend in his own lifetime who nonetheless counted himself a failure.

A tale of forbidden romance based on a short story by Thomas Hardy. Deserting German hussar, Matthaus Singer (Jean-Marc Barr) falls madly in love with solicitor's daughter Frances Groves (Emma Fielding) whereby she is torn between her duty and her desire. Frances's father (Jack Shepherd) would prefer her to marry the weasly suitor Humphrey (John Sessions). The passion flows but will the heart be stronger than the outside forces set on keeping the lovers apart?

An exuberant and entertaining biography of Charles Dickens that captures the essence of the great novelist. Simon Callow's sparkling biography explores the central importance of the theatre to the life of the greatest storyteller in the English language. From his early years as a child entertainer in Portsmouth to his reluctant retirement from 'these garish lights' just before his death, Dickens was obsessed with the stage. Not only was he a dazzling mimic who wrote, acted in and stage-managed plays, all with fanatical perfectionism; as a writer he was a compulsive performer, whose very imagination was theatrical, both in terms of plot devices and construction of character. Like many actors, Dickens felt the need to be completed by contact with his audience. He was the original 'celebrity' author, who attracted thousands of adoring fans to his readings in Britain and across the Atlantic, in which he gave voice to his unforgettable cast of characters. In Charles Dickens, Callow brings his own unique insight to a life driven by performance and showmanship. He reveals an exuberant and irrepressible talent, whose 'inimitable' wit and personality crackle off the page.

This richly illustrated exploration of the most remarkable London theatres features witty and engaging texts by actor Simon Callow, whose knowledge of the city's dramatic venues is intimate and wide-ranging. One of the most prominent photographers of the past 50 years, Derry Moore, captures the theatres from every angle, whether it's a velvet box seat at the Novello, the view from the Theatre Royal, Haymarket's proscenium, or the grand entrance of the foyer in the Apollo Victoria. Exquisite close-ups of architectural elements-such as flamboyant Rococo Baroque friezes, William Edward Trent's Art Deco mermaids, painted marble pilasters, and elaborately framed mirrors-highlight often unnoticed features and present each theatre's unique character. From the West End to the South Bank, Westminster to Hackney, the theatres profiled here come to life in ways we rarely see, when the seats are empty and the stages silent.

A brilliant biography of the young Orson Welles, from his prodigious childhood and youth, his triumphs with the Mercury Theatre, to the making of CITIZEN KANE. Vivid, vastly entertaining, this is the definitive Wells biography.

"It is the history of a revolution that went wrong - and of the excellent excuses that were forthcoming at every step for the perversion of the original doctrine". So wrote George Orwell in the original blurb for the first edition of Animal Farm in 1945. His simple and tragic fable, describes what happens when the animals drive out Mr Jones, the farmer, and attempt to run the Manor Farm themselves. Animal Farm has become a world-famous classic of English prose, and is a strong political allegory with parallels to the old Soviet regime. Reader Simon Callow is a British actor with a firmly-established reputation for impeccable performance on-stage, on-screen, and on audiobook.